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Mariä Himmelfahrt

Mariä Himmelfahrt Abensberg

Mariä Himmelfahrt

Mariä Himmelfahrt, also known locally as Katholische Kirche Mariä Himmelfahrt, is a captivating historical church nestled in the charming town of Abensberg, Bavaria, Germany. This architectural gem, dedicated to the Assumption of Mary, stands as a testament to the rich religious and cultural heritage of the region.

The History of Mariä Himmelfahrt

The origins of Mariä Himmelfahrt trace back to a Romanesque church structure, with significant portions being reconstructed in the mid-15th century. Over the centuries, the church underwent various architectural transformations, most notably adopting Baroque elements in the 17th century. Initially serving as the first parish church of the St. Barbara parish established in 1380, it later became a filial church following the completion of St. Barbara Church in the town center around 1450.

During the 18th century, Mariä Himmelfahrt became a site of pilgrimage, as recorded in a miracle book from that era. This historical significance adds a layer of spiritual depth to the church, attracting visitors and pilgrims alike.

Architectural Features

The church's exterior showcases its Romanesque roots, with a preserved south portal hinting at its ancient origins. The structure's Baroque transformation is evident in the elegant design of the choir and tower, which were constructed around 1450. The tower, with its saddle roof, was further developed in the 16th century, featuring a simple yet striking corner quoining. Its lower sections are punctuated with small, rectangular windows, while the bell storey boasts round-arched, paired sound arcades on all sides.

The Interior of Mariä Himmelfahrt

Inside, the single-nave layout is topped with a flat ceiling, creating a serene and open atmosphere. The chancel is particularly noteworthy, with a five-sided closure and intricately designed tracery windows. A broken chancel arch leads to this sacred space, which is adorned with a net vault resting on consoles decorated with small heraldic shields, known as tartschen. At the intersections of the vault ribs, round, heraldic-painted keystones, or tellersteine, add an artistic touch.

Artistic and Religious Treasures

The high altar, crafted around 1600 in the late Renaissance style, is a masterpiece in itself, later embellished with white and gold accents. Flanking paintings depict saints such as St. Barbara, St. Margaret, St. Catherine, and St. Ursula, while the altarpiece in the extension portrays the Holy Trinity. A late Gothic carving of the Madonna with Child graces the central niche, showcasing exquisite craftsmanship from the late 15th century. The Madonna holds the Christ Child in her right arm and a scepter in her left, both figures crowned, with four angels holding a draped backdrop behind them.

The side altars, created in the Rococo style around 1765 by sculptor Johann Georg Rothmayer, feature altar paintings by Caspar Fröhlich from 1766. These works depict St. Martin sharing his cloak with a beggar on the northern altar and St. Aloysius Gonzaga on the southern altar. The Rococo pulpit, also by Rothmayer in 1764, complements the side altars with its white and gold finish.

The choir stalls, adorned with Rococo carvings, date back to around 1765, adding to the church's artistic allure. The sacrament house, from the late 15th century, is supported by a slender column and a console adorned with an angel's bust. This Gothic-style structure, with its pinnacles and crockets, features two superimposed figure niches, the lower housing a neo-Gothic figure of Mary, and the upper remaining empty. The openings are elegantly closed with lattice doors.

A Journey Through Time

Visiting Mariä Himmelfahrt is like stepping back in time. Each element of the church tells a story of faith, artistry, and history. Whether you're an architecture enthusiast, a history buff, or a spiritual seeker, this church offers a rich tapestry of experiences. The combination of Romanesque, Gothic, and Baroque elements creates a unique atmosphere that invites reflection and admiration.

In conclusion, Mariä Himmelfahrt is not just a place of worship; it is a cultural landmark that encapsulates the historical and spiritual journey of Abensberg. Its walls echo centuries of devotion and artistry, making it a must-visit destination for anyone exploring the Bavarian countryside.

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