Mariä Himmelfahrt (Aichach)

In the charming town of Aichach, nestled in the heart of Bavaria, Germany, stands the magnificent Mariä Himmelfahrt, a Catholic parish church of remarkable historical and architectural significance. This protected monument has witnessed centuries of history, evolving through various architectural styles and restorations, making it a must-visit destination for history enthusiasts and casual tourists alike.

The History of Mariä Himmelfahrt

The origins of Mariä Himmelfahrt date back to September 17, 1153, when it was first mentioned in historical records. Initially a Romanesque structure, the church underwent significant transformations over the centuries. In 1210, Duke Ludwig the Kelheimer entrusted the church to the Teutonic Order. The original Romanesque nave likely ended at the current choir steps, with only the lower part of the tower surviving from this period.

Around 1450, the church was remodeled into its present form. During this renovation, six windows in the high wall of the central nave were bricked up, and the side aisles and central nave, previously much lower, were raised to their current height. The 18th century saw further additions, with two small chapels being built onto the southern side aisle in 1709 and 1777. In 1771, the church underwent Baroque modifications, only to have its Gothic elements restored during an interior renovation between 1861 and 1863.

Richard Berndl, a Munich architect known for his historicist designs, reimagined the church’s interior between 1906 and 1908. His vision included a striking violet paint scheme and the installation of electric lighting. Subsequent renovations in the mid-20th century saw the removal of Jugendstil (Art Nouveau) decorations and a return to the church's original color scheme for the high altar. The most recent significant restoration began in 2011, focusing on the roof, exterior walls, and bell tower, culminating in the installation of six new bronze bells and a wooden bell frame by early 2017. The ongoing interior renovation, expected to cost over a million euros, aims to restore the Jugendstil Stations of the Cross by Georg Busch to their former glory.

Exploring Mariä Himmelfahrt

As you step into Mariä Himmelfahrt, you are immediately struck by the harmonious blend of architectural styles that tell the story of its evolution. The high altar, crafted in the Rococo style by Johann Anton Wiest from Schrobenhausen, is a simplified copy of the high altar in Osterhofen by Egid Quirin Asam. This altar, with its intricate details and historical significance, is a focal point of the church’s interior.

A highlight of the church is its Klais organ, installed in 1989. This impressive instrument boasts 42 registers and 2,773 pipes, meticulously crafted from tin and wood. The organ, housed in an expanded Jugendstil case, underwent a comprehensive restoration in 2020 by the Weishaupt organ workshop, ensuring its majestic sound continues to resonate through the church.

Another notable feature within the church is the Crucifixion group from around 1908, alongside the Stations of the Cross also created by Georg Busch in the same period. These sandstone sculptures, with their detailed craftsmanship, offer a poignant reflection of the church’s artistic heritage. Additionally, the church houses a stained glass window depicting St. Anne with the Virgin and Child, dating back to the early 16th century, adding a touch of medieval charm to the interior.

The Bells of Mariä Himmelfahrt

The history of the church’s bells is as rich as the building itself. After the First World War, the church had a set of five bells, some of which survived the war or were cast afterward. However, during the Second World War, the bronze bells were removed and melted down for the war effort. In 1947, a new set of five steel bells was donated by Robert Haselberger and cast by the Bochumer Verein. These bells, hung with counterweight clappers in a steel bell frame, served the church until 2016, when new bronze bells were cast by the Bachert bell foundry in Karlsruhe. Despite some initial challenges with the casting, the new bells officially rang out on December 24, 2016. However, due to structural concerns, bells three to six were temporarily silenced in March 2020, with ongoing efforts to mitigate the vibrations affecting the tower.

Visiting Mariä Himmelfahrt

A visit to Mariä Himmelfahrt offers a journey through time, showcasing the rich tapestry of Aichach’s religious and cultural history. From its Romanesque beginnings to its Gothic, Baroque, and Jugendstil transformations, the church stands as a testament to the town’s enduring heritage. Whether you are drawn by its architectural beauty, historical significance, or the serene atmosphere, Mariä Himmelfahrt is a captivating destination that promises to leave a lasting impression.

In conclusion, Mariä Himmelfahrt is more than just a church; it is a living monument to the history and culture of Aichach. Its walls echo with the stories of centuries past, inviting visitors to explore and reflect on the rich heritage that has shaped this remarkable town. A visit to this historic church is a journey through time, offering a unique glimpse into the heart of Bavaria’s spiritual and architectural legacy.