Church of the Assumption of Mary

Standing proudly in the charming town of Erding in Bavaria, Germany, the Church of the Assumption of Mary, known locally as Mariä Verkündigung, is a splendid example of Baroque architecture. This Roman Catholic parish church, with its towering presence and rich history, is an unmissable sight for anyone visiting the region. Built between 1721 and 1724 by the renowned Erdinger master builder Anton Kogler, the church is a testament to the architectural brilliance of the Baroque period.

The History of the Church of the Assumption of Mary

The Church of the Assumption of Mary has its roots deeply embedded in history, with its origins tracing back to the late Gothic period. The original choir, dating from 1469, was integrated into the new Baroque structure, blending the old with the new in a seamless harmony. The construction of the church as we see it today was completed in the early 18th century, with the tower helmet added in 1770 by carpenter Johann Degele after a lightning strike.

The church underwent significant restoration between 1985 and 1987, ensuring that its historical and architectural integrity was preserved for future generations. The church's exterior is characterized by its stately appearance, with a five-bay nave adorned with pilasters and a square west tower featuring a richly articulated upper story and a triple-hooded spire.

Architectural Marvels

As you step inside the Church of the Assumption of Mary, you are immediately struck by the grandeur of its interior. The church is adorned with pilasters and a barrel vault with capstones, creating a sense of height and space. The artistic value of the Rococo furnishings, created around 1767, adds a layer of intricate beauty to the church's interior.

The sparse stucco work is attributed to Johann Anton Bader, while the ceiling paintings were executed by Johann Martin Heigl. These paintings are a visual feast, depicting scenes such as the Birth of Mary in the choir and the Homage of the Continents to Mary in the nave. The side panels feature eight Old Testament figures who prefigure Mary, adding a rich narrative to the visual splendor.

Exquisite Altars and Artworks

The church boasts three altars crafted by Matthias Fackler from Dorfen, adorned with sculptures by the Landshut-based sculptor Christian Jorhan the Elder. The high altar features a painting of the Annunciation to Mary by Joseph Hauber, created in 1799. The side figures represent Saints James the Elder, John the Baptist, John the Evangelist, and Nicholas. The tabernacle depicts the apocalyptic Lamb on the Book of Seven Seals, lovingly adored by lively cherubs.

The side altars are equally captivating, with the left altar showcasing an oil painting of Saint Anne with Mary between Saints Peter and Paul, and the right altar featuring a painting of Saint Joseph between Saints Francis and Anthony of Padua. The unique ship-shaped pulpit, reminiscent of the one in Niederding, is a collaborative work by Jorhan, Fackler, and Zellner, adding an element of originality to the church's interior.

Musical Heritage: The Organ

The church's musical heritage is highlighted by its magnificent organ, housed in a prospect from 1760 by Johann Schweinacher from Landshut. The current organ, built by Orgelbau Vleugels in 1993, features 28 registers on two manuals and a pedal. It is adorned with statues of Saints David and Cecilia by Jorhan, making it not only a musical instrument but also a work of art.

The Bells and Unique Traditions

The church's five bells, cast in 1965 by Rudolf Perner, create a harmonious chime with the notes c1, es1, g1, b1, and c2. These bells are an integral part of the church's identity, resonating through the town of Erding and beyond. One of the unique traditions of the Church of the Assumption of Mary is the Heart of Jesus Ringing, which takes place every Friday at 11 a.m., except on Good Friday. This tradition adds a spiritual rhythm to the weekly life of the community.

A Place of Reflection and History

The Church of the Assumption of Mary is more than just a place of worship; it is a repository of history and art. The Stations of the Cross paintings, created by Christian Wink in 1795 and acquired in 1903, offer a contemplative journey through the Passion of Christ. The church also houses several epitaphs dating from 1545, 1593, 1608, and 1631, each telling a story of the people who have been part of its long history.

In conclusion, the Church of the Assumption of Mary in Erding is a jewel of Baroque architecture and a testament to the town's rich cultural heritage. Its blend of historical elements, artistic masterpieces, and unique traditions make it a must-visit for anyone interested in history, art, and spirituality. Whether you are a history buff, an art lover, or a spiritual seeker, this church offers a profound and enriching experience that will stay with you long after your visit.