130-136, Piccotts End

In the picturesque village of Piccotts End, nestled in the northern reaches of Hemel Hempstead, lies a hidden gem of historical intrigue and artistic splendor: the medieval timber-framed building at 130-136 Piccotts End. This remarkable structure, originally a grand hall house, has been transformed into a charming row of cottages that hold secrets from the past within their walls. As you stroll through this quaint village, the unassuming exterior of these cottages belies the rich tapestry of history and art that awaits discovery inside.

The Enigmatic History of 130-136 Piccotts End

The origins of 130-136 Piccotts End are shrouded in mystery. While the exact purpose of the building remains unknown, it is believed to have connections with Ashridge Priory, a monastic establishment that flourished from the 13th to the 16th century. The building's medieval timber frame and architectural style suggest a construction date in the late Middle Ages, making it a rare and precious survivor from that era.

In the 1820s, the building underwent a significant transformation when the renowned anatomist and surgeon Sir Astley Cooper converted it into a cottage hospital. This adaptation was prompted by the need to care for the increasing number of patients, many of whom were workers injured during the construction of the London to Birmingham railway. The hospital eventually relocated to larger premises in Hemel Hempstead in 1832, but the building's legacy as a place of healing endures.

The Fascinating Murals of 132 Piccotts End

One of the most captivating features of 130-136 Piccotts End is the stunning collection of 15th-century religious wall paintings discovered in 1953 within the cottage at number 132. These murals, hidden beneath layers of whitewash for over 400 years, offer a rare glimpse into the world of pre-Reformation English Catholic art. Thought to date from around 1470-1500, the paintings are a testament to the artistic and spiritual fervor of the time.

The murals consist of five panels arranged in a style reminiscent of an iconostasis, a large screen adorned with icons. The central panel features Christ in Majesty, with the IHS Sacred Monogram in his halo, radiating divine authority. To the right, the Baptism of Jesus by Saint John the Baptist is depicted, with an archangel holding Christ's robes in the background. The far-right panel, though badly damaged, portrays Saint Clement, the third Pope, with symbolic anchors on his shoulders and the Papal cross.

On the left, the Pietà scene shows the Virgin Mary cradling the lifeless body of Christ, a poignant representation of sorrow and compassion. Next to it, Saint Peter is depicted wearing the Papal Tiara, holding the Papal cross and the Keys of Heaven. The two lower panels feature Saint Catherine of Alexandria with her iconic Catherine wheel and Saint Margaret of Antioch emerging triumphantly from the belly of a dragon. These figures are adorned with vibrant colors and intricate foliation, creating a vivid and mesmerizing tableau.

The discovery of these murals has sparked much speculation about their origins and purpose. Some historians believe that the house at Piccotts End may have served as a hospice for pilgrims journeying to venerate the holy relics at nearby St Albans Abbey. The influence of artistic styles from the Low Countries is evident in the woodcut illustration technique used in the murals, adding an international dimension to their significance.

Exploring the Cottages Today

Today, 130-136 Piccotts End stands as a Grade I listed building, a testament to its historical and architectural importance. While the cottages are privately owned, there have been limited opportunities for the public to view the murals at number 132, particularly during Heritage Open Days. These events offer a rare chance to step back in time and marvel at the artistry and craftsmanship that have endured for centuries.

The Dacorum Heritage Trust, a local conservation charity, has recognized the significance of these murals and launched an appeal to raise funds to purchase the property. Their goal is to ensure the preservation and accessibility of this unique cultural treasure for future generations.

Conclusion

A visit to 130-136 Piccotts End is a journey through time, offering a glimpse into the medieval past and the artistic legacy of a bygone era. The enchanting village of Piccotts End, with its charming cottages and hidden murals, invites you to explore its rich history and uncover the stories that have shaped this remarkable place. Whether you are a history enthusiast, an art lover, or simply a curious traveler, the allure of 130-136 Piccotts End is sure to leave a lasting impression.