Johanneskirche

Nestled in the picturesque town of Imst, Austria, the Johanneskirche is a remarkable testament to both history and architectural evolution. Known locally as Johanneskirche Imst, this Roman Catholic church is dedicated to St. John the Baptist and St. John the Evangelist. Its storied past and unique design make it a captivating destination for visitors seeking to explore the rich cultural tapestry of Tyrol.

The History of Johanneskirche

The history of Johanneskirche dates back to 1274 when it was first documented. Unfortunately, a rockslide destroyed much of the original structure, but its connection to the local hospital suggests its importance to the community even then. The current Gothic church was constructed around 1467 and underwent significant Baroque transformations in the 18th century, with frescoes by Philipp Jakob Greil. However, only the Gothic choir survived these changes.

In 1822, a devastating city fire severely damaged the church, leading to its temporary use as a wood storage area. After extensive restoration, it was re-consecrated in 1831. Between 1879 and 1883, the facade was altered to reflect historicist styles. The interior received artistic touches from Felix Schatz, Max Gehri, and Thomas Konrad. A major restoration from 1954 to 1956 gave the church its current appearance.

Architectural Highlights

The Johanneskirche is a single-nave hall church oriented northwards, featuring a three-bay nave with large round-arched windows and a strongly recessed polygonal choir. The tower, with its distinctive onion dome and lantern, was added after the 1822 fire. The bell floor showcases superimposed round-arched twin windows. A sacristy is annexed to the choir's west, leading to a chapel niche featuring a depiction of Christ on the Mount of Olives.

The facade, revamped in 1879/1883, includes a circular window with quatrefoil tracery above the stone-pillared portal. The tympanum mosaic, created by Andreas Weißenbach in 1976, portrays God the Father with the Tablets of the Law. Elmar Kopp's 1976/1978 frescoes adorn the facade, depicting St. John the Evangelist with the Lamb of the Apocalypse, the Baptism of Christ by John the Baptist, and Mary with Child in the gable.

The Interior Experience

Inside, the Johanneskirche is adorned with a flat barrel vault with lunettes above the windows. Franz Roilo's stucco work from 1954/1956 features the Holy Spirit dove surrounded by symbols of the four Evangelists. The entrance area is separated by a wrought-iron grille, with a two-story organ loft above.

The choir's stained glass windows, crafted by Fred Hochschwarzer in 1954, depict scenes from the lives of Christ and John the Baptist. An abstract design graces the small round window in the choir's main wall. Elmar Kopp's 1977 creations include the altar, ambo shaped like ears of corn, and tabernacle.

The side altars at the chancel arch date back to the 17th century. The left altar, dedicated to St. Michael, features a carved figure of the Archangel Michael battling the devil, flanked by statues of St. George and St. Helena. Created by Hans Patsch around 1630, it originally stood in the cemetery's St. Michael's Chapel. The right altar, from around 1670, was relocated from Klamm Castle and includes an 18th-century painting of Mary with Child and the Fourteen Holy Helpers.

The Organ

The Johanneskirche's organ, built in 1884 by Josef Sies, retains much of its original structure and disposition. To preserve the view of the window rose, the organ is divided into two cases flanking the rose, with the console centrally positioned facing the altar. Originally, the prospect pipes were replaced with zinc pipes during World War I. The instrument features 10 registers on one manual and pedal, with the manual permanently coupled to the pedal.

In conclusion, Johanneskirche in Imst is more than just a church; it is a symbol of resilience and artistic heritage. Its walls narrate tales from centuries past, offering visitors a glimpse into the historical and cultural evolution of this enchanting region. A visit to Johanneskirche promises a journey through time, leaving one with a profound appreciation for the enduring spirit of Imst.