St. Mariä Himmelfahrt

St. Mariä Himmelfahrt in Jülich, North Rhine-Westphalia, Germany, stands as a testament to the enduring spirit of this historic town. As the oldest and most significant Roman Catholic church in Jülich, it serves not only as a place of worship but also as a repository of rich history and cultural heritage.

The Historical Tapestry of St. Mariä Himmelfahrt

The origins of St. Mariä Himmelfahrt are believed to trace back to Roman times, with the present church partially resting on the foundations of the 4th-century Roman city wall. This connection to ancient history is palpable as you explore the church grounds. The first documented mention of the church dates to 945, when Archbishop Wichfried bequeathed its patronage to the Ursulastift in Cologne. Initially dedicated to St. Martin of Tours, it was later placed under the protection of the Assumption of Mary in the 15th century.

Throughout the centuries, the church has witnessed significant historical events. In 1147, the renowned Bernard of Clairvaux preached here, rallying Jülich’s knights to join the Crusades. The church was the heart of the Jülich deanery, a vast ecclesiastical jurisdiction encompassing 71 churches in the surrounding regions. Such historical depth enriches every corner of this sacred space.

The Architectural Evolution

The architectural journey of St. Mariä Himmelfahrt is as fascinating as its history. The original structure was a simple hall church, which evolved over time. The lower three stories of the current bell tower date back to the 12th century, showcasing the Romanesque style that dominated the era. Over the centuries, the church underwent numerous transformations, including the addition of a choir with an apse in the 13th century and the vaulting of the nave in the 13th or 14th century.

In the late 19th century, the church underwent a significant Neo-Romanesque redesign by Cologne architect Heinrich Wiethase. This included a new nave and the restoration of the bell tower. However, the ravages of World War II left the church in ruins, sparing only parts of the tower and the outer walls of the apse.

Reconstruction in 1952, led by Aachen architect Peter Salm, incorporated these surviving elements into a new design, giving the church its present form. The consecration of the rebuilt church took place on December 14, 1952, marking a new chapter in its storied existence.

The Tomb of Blessed Christina

One of the church's most treasured features is the tomb of Blessed Christina of Stommeln. Her remains were brought to Jülich in 1386 by Duke Wilhelm II, and her grave remarkably survived the destruction of the church during World War II. Christina’s mystical life and enduring legacy continue to draw pilgrims and visitors alike.

The Majestic Organ

The church is home to a magnificent organ, crafted by the Vleugels organ building company in 1998. With 42 playable registers and a range of unique effects, this instrument is a marvel of modern craftsmanship. Its sounds echo the natural beauty of the surrounding area, offering a unique auditory experience for visitors and worshippers.

The Bells and Their Melodies

The church’s bells, with the motif Veni creator spiritus, add a melodious backdrop to the serene atmosphere of Jülich. These bells have been calling the faithful to prayer for generations, their tones resonating throughout the town.

Visiting St. Mariä Himmelfahrt

Visitors to St. Mariä Himmelfahrt can immerse themselves in a rich tapestry of history and spirituality. The church stands as a beacon of resilience and faith, its walls echoing the stories of those who have walked its halls over the centuries. Whether you are drawn by its architectural beauty, its historical significance, or its spiritual presence, St. Mariä Himmelfahrt offers a profound and moving experience.

In conclusion, St. Mariä Himmelfahrt is not just a church; it is a living monument to the past, present, and future of Jülich. Its enduring legacy and vibrant community make it a must-visit destination for anyone exploring this historic region of Germany.