Can Bonet

Can Bonet, nestled in the heart of Montcada i Reixac in Spain’s Vallès Occidental region, is a captivating example of late 19th-century summer residences. This architectural gem, designed by the distinguished architect Josep Domènech i Mansana in 1916, reflects the Modernisme movement that swept through Catalonia. Constructed for Carlos Bonet Duran, a notable figure from Barcelona who founded the Casa de Patents i Marques, Can Bonet stands as a testament to the artistic and cultural aspirations of its time.

The Historical Significance of Can Bonet

Can Bonet's story begins with its construction in 1916, commissioned by Carlos Bonet Duran. Carlos's son, Josep Bonet del Río, a prominent public figure who served as deputy mayor of Barcelona, continued to use the house as a summer retreat. After the tumultuous period of the Spanish Civil War, the Bonet family returned to Can Bonet until it was eventually sold. Today, the Generalitat de Catalunya is interested in acquiring this historic property, which has been cataloged in the Inventory of the Architectural Heritage of Catalonia.

A Glimpse into Modernisme Architecture

The architectural style of Can Bonet is a splendid representation of Modernisme, characterized by its intricate details and harmonious blend of materials. The building is constructed on a solid stone base, with meticulously fitted stones forming the foundation. The walls above are painted a pristine white, punctuated by a series of windows and decorative elements that exemplify the era's design principles.

The house features a confluence of protruding structures originating from a square floor plan, ensuring that every room benefits from abundant natural light through windows or balconies. This design maximizes the use of natural light, a key concern during the Modernisme period. The openings, primarily rectangular windows, are framed with visible brickwork, adding to the building's aesthetic appeal.

The Entrance and Decorative Elements

Can Bonet boasts two entrances, each with its unique charm. The main entrance, which was once the chapel entrance, features a rectangular door topped with a brick arch that simulates a typical relieving arch. Above the door, a small porch with glazed tiles is supported by brick corbels, providing shelter and decorative flair. The porch is adorned with a frieze inscribed with Ave Maria, and two decorative spheres crown the structure.

The secondary entrance, leading to the garden, mirrors the main entrance's style. It is also topped with a brick porch supported by columns and a balcony above. The use of wrought iron in the balconies, with their decorative circular motifs, adds to the building's elegance.

The Tower and Rooftop Views

A standout feature of Can Bonet is its square watchtower, which rises from the southeastern corner of the house. This tower, divided into a ground floor and three additional levels, includes an open gallery beneath the roof. The tower's roof is adorned with glazed tiles in a striking combination of red and green, a motif repeated in the other roofs of the house.

The house's roofs are gabled, with the same red and green glazed tiles, and are supported by brick corbels. The straight eaves and decorative elements create a rhythmic visual effect, enhancing the building's overall design.

The Circular Smoking Room

At the rear of the house, a circular protruding structure, reminiscent of a garden pavilion, serves as the smoking room. This room's base is constructed from the same stone as the house's foundation, with smooth, round columns supporting the upper structure. The columns are decorated with ceramic mosaic in white, blue, and yellow, forming an undulating pattern. The entablature is simple, with a decorative frieze of waves and spirals, possibly representing water. The roof tiles here also follow the red and green color scheme.

Statues and Water Features

Adorning the main façade, above the entrance and to the right, is a statue mounted on a brick plinth and sheltered by a conical canopy covered in ceramic mosaic. This statue adds a touch of artistry to the building's exterior.

The original design of Can Bonet included an intricate system of water features that guided water from the top of the property to the entrance. These features, now lost, contributed to the naturalistic and dynamic spirit of Modernisme, emphasizing movement and the integration of natural elements into architectural design.

Can Bonet is more than just a historic building; it is a symbol of the artistic and cultural heritage of Catalonia. Its intricate design, historical significance, and architectural beauty make it a must-visit destination for anyone interested in the rich history and artistic achievements of the region. Whether you are an architecture enthusiast or simply looking to explore the cultural treasures of Montcada i Reixac, Can Bonet offers a fascinating glimpse into the past and a testament to the enduring legacy of Modernisme.