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Anscharkirche

Anscharkirche Neumünster

Anscharkirche

The Anscharkirche in Neumünster, Schleswig-Holstein, is a remarkable testament to early 20th-century ecclesiastical architecture. Named after Saint Ansgar, the Apostle of the North, this Evangelical Lutheran church stands proudly in the city center, offering both spiritual solace and a glimpse into the architectural innovations of its time.

The History of Anscharkirche

The story of Anscharkirche begins in the late 19th century when the need for a second large Protestant church in Neumünster became apparent. By 1895, a fund was established to support this vision, and in 1908, a commission was formed to oversee the church's construction. An architectural competition was held in 1909, drawing 126 entries from across Schleswig-Holstein, Hamburg, and Lübeck. Although the competition had its winners, the task of bringing the church to life eventually fell to Hans Roß, a local architect from Neumünster, whose vision redefined the project.

Construction began in April 1911 and concluded in September 1913, resulting in a church that not only served its spiritual purpose but also became a cherished landmark in Neumünster. Despite its initial grandeur, the church faced significant challenges during World War II. In November 1944, a bombing raid left the building severely damaged. The subsequent reconstruction, led by architect Fritz Hain, offered a simpler design, yet maintained the church's historical essence.

Architectural Features

The Anscharkirche is a striking example of a hall church with a barrel vault, a style that was both innovative and functional. The building's exterior is adorned with exposed brickwork, articulated by pilasters and lesenes, which lend the structure an elegant rhythm. The use of decorative bricks and clay elements introduces a textural richness that reflects both Art Nouveau influences and reformist architecture trends of the period.

The church's most dominant feature is its east tower, which houses a historic bronze bell dating back to 1643. This bell, with its resonant tones, continues to mark the passage of time for the community. Inside, the church boasts an elevated vault due to post-war structural modifications, creating a spacious and airy interior that enhances the congregation's experience during services.

Artistic Treasures

Beyond its architectural beauty, the Anscharkirche is home to several significant works of art. The exterior's sculptural decorations, crafted by Berlin sculptor Ludwig Isenbeck, remain in their original condition, offering a glimpse into the artistic sensibilities of the early 20th century. Inside, visitors can admire the Revelation Altar, a masterpiece by Otto Flath from 1951. This altar, carved from linden wood, vividly depicts 250 figures and symbols from the Revelation of John, creating a visual narrative that captivates all who behold it.

Additional artistic highlights include a baptismal font by Otto Flath and a series of seven vibrant concrete glass windows by Illo von Rauch-Wittlich, installed in 1994. These windows, each depicting a different biblical scene, infuse the interior with colorful light, enhancing the spiritual ambiance. A bronze sculpture of Saint Ansgar, created by Manfred Sihle-Wissel in 1997, stands as a tribute to the church's namesake and his enduring legacy.

A Living Monument

Today, the Anscharkirche remains an active center for worship and community gathering. Its historical and artistic significance make it a must-visit for anyone exploring Neumünster. Whether attending a service, participating in one of the church's many community events, or simply admiring its architectural beauty, visitors are sure to be inspired by this remarkable edifice.

The Anscharkirche is more than just a building; it is a living testament to the resilience and creativity of those who built and rebuilt it. As you walk through its doors, you are not only stepping into a place of worship but also into a rich tapestry of history, art, and community spirit that continues to thrive in the heart of Neumünster.

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