Vetkamp 28, Nijkerk

Nestled in the charming town of Nijkerk in the Netherlands, Vetkamp 28, originally known as Particulier Gereformeerd Burgerweeshuis Nijkerk, stands as a testament to the region's rich history and architectural elegance. This stately building, constructed in 1860, once served as a haven for orphans and now captures the imagination of visitors with its neoclassical design and storied past.

The History of Vetkamp 28

The roots of Vetkamp 28 trace back to 1637 when the Catharinaklooster was acquired through generous donations to house children orphaned by the plague. The original benefactors, Wouter van Hennekeler and Elisabeth Schouten, laid the groundwork for what would become a vital institution in Nijkerk. Strict admission criteria meant that only a few children initially found refuge here, but as the need grew, so did the weeshuis, eventually relocating to the now-iconic structure designed by architect Jurling.

The requirements for admission were stringent: children had to be born in Nijkerk to legally married parents, adhere to the Reformed faith, and be free of contagious diseases. These criteria, along with the stipulation that the weeshuis would inherit any possessions left by the parents, ensured that only the most vulnerable found sanctuary within its walls.

Architectural Splendor

The architectural allure of Vetkamp 28 is undeniable. Its neoclassical façade, characterized by a central risalit crowned with a pediment, exudes a sense of grandeur and stability. The pediment proudly displays the original name, Particulier Gereformeerd Burgerweeshuis, along with the year of its establishment, 1860. This detail, restored during a recent renovation, adds a touch of historical authenticity to the building.

Above the main entrance, a painting of two 19th-century orphans, Aalbert van den Berg and Jannetje van Hennekeler, serves as a poignant reminder of the building's original purpose. This artwork, a replica of the original lost after the weeshuis closed, now graces the entrance once more, inviting visitors to reflect on the lives once sheltered here.

The Regentenkamer

Inside, the regentenkamer offers a glimpse into the governance of the weeshuis. Adorned with a painting of the 1645 regents, including notable figures like Stephanus van Deelen and Albertus Nijenhuis, the room is a tribute to those who dedicated their lives to the care of orphans. The crests of these regents, along with those of four deceased members, add a heraldic touch to the space.

Life at the Weeshuis

By 1875, the weeshuis housed 35 children, each subject to a strict routine that dictated everything from meal times to attire. The children wore identical clothing, making them easily recognizable in the town. This uniformity, while a symbol of their shared experience, also underscored the discipline and order that defined life at Vetkamp 28.

Transition and Closure

After World War II, the scope of the weeshuis expanded to include half-orphans and children under guardianship. In 1969, it was renamed Kinderhuis West-Veluwe, reflecting its broader mission. However, by 1972, the weeshuis closed its doors, marking the end of an era. The building, however, remains a cherished landmark, its walls echoing with the laughter and stories of the children who once called it home.

Visiting Vetkamp 28 Today

Today, Vetkamp 28 stands as a captivating destination for those interested in history and architecture. Its well-preserved façade and intriguing past make it a must-visit for anyone exploring Nijkerk. As you stand before this imposing structure, take a moment to ponder the lives it shaped and the legacy it leaves behind.

In conclusion, Vetkamp 28 is more than just a building; it is a symbol of compassion and community resilience. Its neoclassical beauty and historical significance offer a unique window into the past, making it an essential stop on any tour of Nijkerk. Whether you're a history enthusiast or simply a curious traveler, Vetkamp 28 promises a journey back in time, enriched by the stories of those who once found solace within its walls.