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St. John the Baptist

St. John the Baptist Oberstdorf

St. John the Baptist

St. John the Baptist Church, known locally as St. Johannes Baptist, stands proudly in the picturesque market town of Oberstdorf, nestled in the Bavarian Alps. This stunning example of neo-Gothic architecture not only serves as a spiritual haven but also as a testament to the rich history and resilience of the local community.

The History of St. John the Baptist Church

The origins of St. John the Baptist Church trace back to the year 991, with some records suggesting that a church existed in Oberstdorf as early as that time. Officially, the church was first mentioned in 1141 when it was consecrated by Bishop Walther I of Augsburg. Originally dedicated to the Virgin Mary, St. John the Baptist, and St. John the Evangelist, the church underwent several transformations over the centuries.

In 1419, the church was rebuilt in the Gothic style, and in 1644, it was baroqued, adding a marble floor and new furnishings. However, in 1865, a devastating fire swept through Oberstdorf, leaving the church in ruins save for its outer walls and tower. The reconstruction that followed, led by Freiherr Georg von Stengel, embraced the neo-Gothic style, incorporating the surviving elements of the original structure. The church was re-consecrated in 1872 by Bishop Pankratius von Dinkel.

Exploring the Church's Interior

Stepping into St. John the Baptist Church is like walking into a living gallery of neo-Gothic art. The high altar, designed as a winged altar, is a masterpiece in itself. When open, it reveals a vivid depiction of Christ's resurrection, flanked by Roman soldiers in awe. The closed altar wings display a poignant scene of Christ praying in Gethsemane, painted by Johann von Schraudolph.

The church's interior is adorned with historical figures and paintings that survived the fire or were added later. Notably, the beautiful Oberstdorferin, a Madonna statue from the 1430s, graces the church with its presence, showcasing the delicate artistry of the soft style from Ulm.

The Side Altars and Artistic Treasures

The side altars mirror the grandeur of the high altar. The right altar, when opened, depicts the Nativity scene, complete with shepherds and peasants in adoration. The left altar, on the other hand, captures the Pentecost miracle, with tongues of fire symbolizing the Holy Spirit's descent upon the apostles.

Other notable artworks include a figure of Anna Selbdritt from around 1340 and a painting by Anton Raphael Mengs, The Adoration of the Shepherds, dating back to 1751. These pieces, along with the 16th-century Stations of the Cross, offer a glimpse into the rich tapestry of religious art housed within the church.

The Church's Organ and Exterior

The church's organ, crafted by Josef Zeilhuber senior in 1934, is a marvel of musical engineering. It combines elements of late Romanticism with the Alsatian organ reform, producing a sound that is both warm and vibrant. The organ's intricate design and dynamic capabilities make it a standout feature of the church's interior.

Outside, the church doors are adorned with copper reliefs by Willi Veit, created between 1972 and 1974. These artistic embellishments add to the church's allure, inviting visitors to explore further. The sealed central window of the choir showcases a crucifixion scene by Lothar Schwink, while a statue of St. John Nepomuk stands guard at the church's western entrance.

The Churchyard and Seelenkapelle

While the churchyard ceased to serve as a burial ground in 1951, it remains a place of reflection and remembrance. At its southern end lies the Ablass-Kreuzweg, a series of paintings depicting the Passion of Christ. In the center stands the Seelenkapelle, home to a Pietà by Minnie Goossens and Johanna Biehler, honoring those lost in the world wars.

The Seelenkapelle's Renaissance-era niches, adorned with frescoes and wooden figures, depict scenes from the life of Christ, adding another layer of historical and artistic depth to this sacred space.

In conclusion, St. John the Baptist Church is not just a place of worship; it is a living testament to the artistry, history, and enduring spirit of Oberstdorf. Its walls echo with stories of resilience and faith, making it an essential stop for anyone exploring the cultural and historical riches of this enchanting Bavarian town.

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