In the charming town of Oberursel (Taunus) in Hessen, Germany, stands an architectural marvel that seamlessly blends traditional craftsmanship with modern design – the Liebfrauenkirche. This Roman Catholic church, dedicated to Mary, is not just a place of worship but a cultural landmark, protected under heritage conservation laws.
Situated on a sprawling 17,000 square meter plot between Berliner Straße and Herzbergstraße, the Liebfrauenkirche is nestled within a serene residential area. Its strategic location makes it an easily accessible sanctuary for both the faithful and curious visitors alike, offering a peaceful retreat from the hustle and bustle of everyday life.
The origins of Liebfrauenkirche are deeply intertwined with the post-war economic boom in Germany, known as the Wirtschaftswunder. As Oberursel's population burgeoned, the need for a new church became apparent. In 1954, the church council proposed the construction of a new church, envisioning a grand edifice to accommodate a large, anticipated residential development nearby. Although the new neighborhood never materialized, the church was designed with ample space in mind.
The planning phase began in 1961 under the guidance of architect Rudolf Schwarz. Tragically, Schwarz passed away later that year, and his wife, architect Maria Schwarz, took over the project. The foundation stone was laid on May 1, 1963, and the first service was held in 1964. By 1965, the Liebfrauen parish vicarage was officially established, and the church was recognized by the state of Hessen for its exemplary architectural achievement. The consecration of the church took place on May 21, 1967, officiated by Auxiliary Bishop Walter Kampe. Two years later, the Liebfrauen community was elevated from a parish vicarage to an independent parish, solidifying the Liebfrauenkirche as its parish church.
The Liebfrauenkirche stands as the largest church in Oberursel, despite its relatively small congregation of 1,300 members. The church's design draws inspiration from the Liebfrauenkirche in Trier, featuring a central layout that forms a Greek cross. One arm of the cross houses the impressive organ, and together with the apse, the structure resembles a rose, symbolizing the church's dedication to Mary.
The church's walls are constructed from unplastered brick masonry, while the four supporting pillars and ribbed ceiling are made of concrete. This combination of materials symbolizes the integration of traditional building techniques (brick) with modern construction (concrete), reflecting the church's place in both historical and contemporary contexts.
The interior of Liebfrauenkirche is a testament to the artistic vision of Oberursel artist Georg Hieronymi. He designed the priest's seats, the statue of Mary, and a ten-part Stations of the Cross, which are depicted in large, striking tapestries. The tabernacle, created by Friedrich Gebhart, is adorned with a golden band and embedded with mountain crystals, adding a touch of celestial beauty to the sacred space. The baptismal font, designed by Rudolf Schwarz, complements the church's overall aesthetic.
In 2001, the church received a new chalice, identical to one in the St. Catherine Church in Braniewo, Poland. This pair of chalices symbolizes unity and peace, as inscribed on the chalices themselves. The church's windows, designed by Giselbert Hoke in 1967, feature natural motifs inspired by the Song of the Three Holy Children from the Book of Daniel. These windows darken the interior, creating a tranquil and contemplative atmosphere.
Crowning the church is a golden cross with a radiant halo composed of 56 rods, a design by Maria Schwarz that adds a touch of divine light to the structure.
The Liebfrauenkirche is home to a magnificent organ, built in 1970 by the Klais organ workshop in Bonn. This instrument boasts 52 registers (3,814 pipes) across four manuals and pedals. The mechanical action and electric stop action make it one of the most significant organs in the Rhine-Main area and one of the largest in the Diocese of Limburg. The church's exceptional acoustics make it a popular venue for regular organ concerts, drawing music enthusiasts from near and far.
Since the first service on June 7, 1964, the Liebfrauenkirche has been a vibrant center of worship and community life. The church's first pastor, Erich Einig, laid the foundation for a thriving parish. In 1976, due to a shortage of priests, a parish association was formed with St. Aureus and Justina in Bommersheim, and later with St. Ursula in 1977. The parish house of St. Ursula was chosen as the administrative center. In 2012, a new parish of St. Ursula was established, encompassing all communities within the pastoral area of Oberursel/Steinbach.
The Liebfrauenkirche in Oberursel is not just a place of worship; it is a beacon of architectural brilliance, artistic expression, and community spirit. Whether you are a history enthusiast, an art lover, or a spiritual seeker, this remarkable church offers a rich and rewarding experience.
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