The Santissimo Nome di Gesù, also known as Chiesa del Santissimo Nome di Gesù, is a hidden gem nestled in the charming town of Pozzuoli, Italy. This 18th-century church, with its serene presence and historical depth, offers a unique glimpse into the religious and cultural life of the region. Its understated elegance and rich history make it a must-visit for anyone exploring the area.
Constructed in the early 1700s, the Santissimo Nome di Gesù was built by the Archconfraternity of San Giuseppe on land donated by Vincenzo Raiola in 1703. The church officially opened its doors to worshippers in late 1706 or early 1707. Originally dedicated to the Holy Name of Jesus, its name later became synonymous with the Archconfraternity of San Giuseppe, a title it retains to this day.
During its construction, an intriguing discovery was made in 1704—a statue of the Roman consul Quintus Flavius Maesius Egnatius Lollianus, dating back to the 4th century. This statue, affectionately known by locals as Santo Mamozio, was later moved to the Archaeological Museum of the Phlegraean Fields in the Castle of Baia.
The church is a testament to the artistic trends of its time. It houses a series of paintings from the early 18th century, including works by Gerolamo Cenatiempo and Paolo de Matteis. Cenatiempo's contributions, completed in 1707, include depictions of St. Alexius, St. John the Baptist, and the apparition of Jesus to the Apostle Thomas. De Matteis was commissioned in 1717 to create the grand altarpiece portraying the Circumcision of Jesus, accompanied by a depiction of the Eternal Father blessing.
The church's architecture is characterized by its austere yet harmonious facade, adorned with stucco moldings. A double staircase leads to the entrance, beneath which lies the crypt of the Confraternity of San Giuseppe. Inside, the church features a single nave covered by a barrel-vaulted ceiling, embellished with frescoes by local artists Mario Sangiovanni and Salvatore Volpe, created between 1949 and 1951.
One of the most intriguing aspects of the Santissimo Nome di Gesù is its crypt, accessible via an entrance beneath the elevated forecourt. The crypt extends over two underground levels, mirroring the nave above. The first chamber, with its robust square pillars, served as a meeting place for the confraternity for non-religious discussions or funeral rites. An altar once stood in the central nave, though its image is now indecipherable.
In 2014, a fascinating discovery was made in the crypt—ossuaries used for drying the deceased. Each ossuary had a lower hole connected to an air intake, designed to create airflow for desiccating the bodies. This method, explained by local art historian Raffaele Giamminelli, was uncovered after years of oblivion.
The church has undergone several restorations over the years. In 1954, it was fully renovated, only to be closed in 1977 due to structural damage caused by seismic activity. Vandalism and theft also took their toll, leading to the removal and safeguarding of its valuable artworks and sacred objects.
In 1992, Bishop Salvatore Sorrentino entrusted the church to the Lions Club - Campi Flegrei, which organized cultural events to keep the space alive. Later, in 2000, Bishop Silvio Padoin appointed Antonio Testa to oversee the church, reviving the devotion to the Protector of the Good Death and continuing the legacy of his father, Giuseppe.
Today, visitors to the Santissimo Nome di Gesù can admire its elegant architecture and restored artworks. The church offers a tranquil retreat where one can reflect on its storied past and the enduring faith of its community. Whether you're an art enthusiast, a history buff, or a spiritual seeker, this church provides a captivating glimpse into the heart of Pozzuoli's cultural heritage.
In conclusion, the Santissimo Nome di Gesù stands as a testament to the resilience and devotion of its community. Its walls echo centuries of history, art, and faith, making it an essential stop on any tour of Pozzuoli. Don't miss the opportunity to explore this sacred space and uncover the stories it has to tell.
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