Castello Estense, also known as the Castle of Saint Michael, is the most iconic monument of Ferrara, Italy. Nestled in the heart of this Renaissance city, the castle's four imposing towers offer panoramic views of the surrounding landscape. This fortress has evolved from a defensive stronghold to a significant cultural and administrative hub, and today, it serves as both a government office and a museum.
Castello Estense was constructed in 1385, commissioned by Marquis Niccolò II d'Este. The castle was designed by the architect Bartolino da Novara, who was also responsible for the Castello Visconteo in Pavia and the Castello di San Giorgio in Mantua. Niccolò II saw the need for a fortified structure to protect his court following a violent uprising by the citizens of Ferrara in response to increased taxes. On September 29, the feast day of Saint Michael, the first stone was laid, symbolizing the castle’s role as a protector and warrior.
Bartolino da Novara's design included the existing Torre dei Leoni, an ancient watchtower from the 13th century, and added three new towers: Torre Marchesana to the southeast, Torre di San Paolo to the southwest, and Torre di Santa Caterina to the northwest. These were connected by thick walls and surrounded by a moat, making the castle a formidable defensive structure. Over time, the castle's role shifted from a military fortress to the main residence of the Este family, reflecting its growing importance as a symbol of power and prestige.
In the late 15th century, the castle underwent significant changes. During the attempted coup by Niccolò d'Este in 1476, Duchess Eleonora of Aragon used the castle as a refuge, highlighting its importance as a secure stronghold. Following this event, the Este family decided to make the castle their permanent residence. Extensive modifications were made to accommodate the court's needs, and the castle was enriched with numerous works of art.
Under Duke Ercole I d'Este, the castle became the centerpiece of Ferrara's urban renewal, known as the Addizione Erculea. Architect Biagio Rossetti's 1492 plan expanded the city northward, doubling its size and establishing Ferrara as Europe's first modern city. The castle, once a defensive structure on the city's outskirts, now stood at its heart, symbolizing the Este family's power and influence.
Alfonso I d'Este, who ascended to power in 1505, continued his father's work, further enhancing the castle's artistic and architectural grandeur. In 1507, he renovated the Via Coperta, a covered walkway connecting the castle to the ducal palace, to house his private chambers and art collections. These included masterpieces by Titian and Dosso Dossi and sculptures by Antonio Lombardo.
Following a devastating fire in 1554, extensive restoration work was carried out by architects Girolamo da Carpi and Alberto Schiatti. Da Carpi replaced the medieval battlements with marble parapets and added altane, creating a more vertical and elegant structure. Under Alfonso II d'Este, the castle's interior was further refined, including the renovation of the ducal chapel by Alessandro Balbi.
When Alfonso II died without an heir in 1597, Ferrara reverted to papal control, and the Este family relocated to Modena. The castle then housed papal administrators, and while it received regular maintenance, significant modifications were rare. One notable exception was the renovation of Torre di Santa Caterina and adjacent rooms.
In 1860, Ferrara became part of the newly unified Kingdom of Italy. The state-owned castle was purchased by the provincial administration of Ferrara in 1874 for 70,000 lire and used as government offices. Throughout the 20th century, numerous restoration efforts preserved the castle's structural integrity, although some, like the modifications to accommodate automobiles, were controversial.
During World War II, the northern ravelin was destroyed by bombing but was faithfully reconstructed in 1946. In 1999, a project called The Castle for the City initiated by Pier Giorgio Dall'Acqua aimed to repurpose the castle's rooms for cultural events. This included the successful exhibitions The Triumph of Bacchus in 2002 and The Este in Ferrara in 2004. By 2006, the Alabaster Chambers of Alfonso d'Este were reopened to the public, marking the completion of extensive restoration work.
Today, Castello Estense is a vibrant cultural hub. Visitors can explore the Ducal Kitchens, where lavish banquets were prepared, and the prison cells, which offer a glimpse into the castle's darker past. The Sala del Cordolo, a grand hall, showcases the castle's architectural splendor. The castle's towers provide breathtaking views of Ferrara, and the museum exhibits offer insights into the Este family's history and the castle's evolution.
Castello Estense is not just a historical monument but a living testament to Ferrara's rich cultural heritage. Its walls tell stories of power, art, and resilience, making it a must-visit destination for anyone exploring this beautiful Italian city.
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